Here’s what I have been working on this week. I made a couple plywood molds with a jigsaw. Working with power tools is always a little bit exhilarating. (You know, with the threat of cutting off your fingers and all …)

I made an asymmetrical mold because after all the wheel-thrown pots, my brain needs a little asymmetry. I also wanted to start making some tray forms because that’s really the easiest way to play with some new surface designs.

My goal with this one was to reproduce the look of bokeh. I tried to use a paper stencil method I learned in a Meredith Host workshop, but I had some problems. First, I was too impatient to let layers of underglaze fully dry before peeling off the paper stencils. (When you have limited studio time, you get impatient. Well, I do.) Also, I think my paper was weird. It was just copy paper, but it seemed to have some sort of coating, and the water turned blue when I soaked my stencils. Then the stencils stuck and shredded and tore, even when I broke down and let them fully dry, and it was not fun.

I need to figure out a better way to deal with the stencils, because I do still like the basic idea of this. The white areas may burn out more than I’d like, but this is an experiment. Next time I also want some of the bokeh blobs to go up the sides, too. I’ll show you how this turns out. Soon. I have a whole lot of making to do before the kiln is full.


About ameliastudio

I’m Amy Harding, mother to three little girls. I was an editor for 10 years, and now I stay home with the kids, while also going back to school for graphic design and making/selling pots. Things and people I love: family, ceramics, coffee, “Mad Men,” Louis C.K., sewing, tiki drinks and classic cocktails, gardening, Lucie Rie, Eva Zeisel, the beach, mid-century modernism, the fantastic work of my Mr. H., Bill Murray, Iron & Wine, R.E.M., graphic patterns, peacock blue, peanut butter, architecture, Jonathan Franzen, Don DeLillo, A.S. Byatt, David Sedaris, magazines, design, Wes Anderson, books, salt+sweet …

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